Sunday, 21 July 2013

Form and movement in a clothed figure + check and log

I didn't really follow the guidelines here.  My figure wasn't seated and I didn't use hatching.   I avoided detail and just focused on the clothes and attempted to give form through light and shade using pen and ink and marker pen


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Check and Log:
Did you find it easy to approach the figure as a whole or were you distracted by details of the sitters dress?
I think I found it easier to approach the figure as a whole rather than focus on the particular detail of the clothes.  For me it helped to approach the drawing by aiming to achieve a realistic sense of form rather than saying to myself I need to particularly observe how the clothes sit around the figure.  To open my mind to observing all elements of the subject in order to achieve a realistic drawing, without focusing on detail, was how I approached it.

How did you create volume in the folds of the fabric?
In this case I used pen to depict lines and creases and I used the marker pen to indicate light and dark to give the form.

Does the finished drawing give a sense of the figure beneath the fabric?  I think it does.

How would you tackle a drawing like this again?
I think it helped me in this case that I had already decided on the media I wanted to use.  I then considered how I would use that media to draw the subject.   I therefore had the nature of media in mind when I thought about how I would depict the fabric and approached the drawing in that way - letting the media dictate how I would draw.  The ink pen enabled me to put in some fine detail and the marker pen enabled me to add broad strokes of shade.  Had I decided to use a different medium I would have adapted my whole approach accordingly.